Lu Galasso and The Half-Blooded Prince

Okay, so I have always been a Harry Potter girl. The first book came out when I was somewhere around the age of 10 and I fell in love. I read the first, second and third as soon as they came out. When the fourth came out I got half way through it and because I was older then I had more homework I had to complete so Harry, Ron and Hermione got put on the back burner. Then the movies began coming out and that resparked my interest. I watched the first 3 films and still didn’t repick up the book. Then I watched the fourth movie and thought, why did I never finish that book? That’s when I finished that book and made sure I read every other one as soon as they came out.

That being said, I have been excited for the release of the 6th film since I heard about its original release date. I was heartbroken when they pushed the date until nearly a year later. Over the weekend I was finally able to go and see it. Now, I wasn’t sure what to expect going into it. I knew what was going to happen and so there were no surprises but I had read mixed reviews on the film. After seeing it I understood what was going on in the reviews. Those who did not like it (mostly critics) and those who called in “slow” or “uneventful” were those we had clearly never read the books, or at least they had never read the 6th book. I’m no expert but the impression I got from reading the 6th book and then the 7th was that the 6th book was positioned to set up everything that was going to happen in the 7th and final book. It was if the 6th and 7th book were written together and then seperated in the middle. The 6th book is all about being able to figure out how Voldermort can be defeated so that the 7th can be all about trying to defeat him. The 6th book is a catalyst for Harry to become, for lack of better words, “his own wizard” and for him to come to terms with the fact that he really is “the chosen one”. It is all about Harry and his two best friends to establish to the readers and the other characters that they have grown up. They aren’t little kids anymore. It’s time to bring out the big magic!

The film was done in exactly the same pace as the story. With lots of detail, the addition of new characters and providing new pieces to the puzzle. Although the book always provides more information and better detail than can fit in a film, the film wasn’t too shabby. If you’re a Harry Potter lover, you’ll like this one too. For those who aren’t, well Ron and Harry have certainly grown up. Ron’s even got some muscles now. There’s a little big of magic, a little bit of romance, some mystery and you won’t want to miss the unexpected ending!

Lu Galasso

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Lu Galasso Talks Julie and Julia

In August, a film entitled Julie & Julia will be released in theatres. The film stars Meryl Streep as the infamous Julia Child and Amy Adams as Julie Powell, a blogger who for one full year would cook Julia’s recipes and write about them on her blog. What interested me about this film is that my mother has Child’s cookbook in her kitchen and growing up it always just seemed like the essential reference guide everyone should have around (that and The Joy of Cooking). The movie shows the lives of the two women, who have never met in person, and how Child’s influenced Powell’s success. The Globe and Mail did an interview with a long time friend and publisher of Child’s (Child passed away in 2004) about the upcoming film and how the cookbook came to be.

Sarah Hampson

From Monday’s Globe and Mail Sunday, Jul. 26, 2009 05:06PM EDT

Judith Jones arrives, perfectly edited.

The 85-year-old wears a tailored turquoise linen suit, her white hair in a neat bob and low-heeled Ferragamo pumps on her feet. Her slim legs are crossed elegantly at the knee and at her neck, a colourful scarf is arranged artfully over her shoulder.

Her words, too, are carefully chosen. She knows just what to describe and what to omit.

The legendary editor and vice-president at Knopf in New York, who still works part-time at the publishing house where she has been employed for close to 50 years, is very much in control of what gets shown, what gets said and how she lives.

At this particular moment, she is discussing Julie & Julia , a delightfully engaging film to be released in early August, about the late cookbook author, Julia Child, and a young woman in New York, Julie Powell, who wrote a popular year-long blog about cooking her way through Ms. Child’s ground-breaking 1961 book, Mastering the Art of French Cooking . It was Ms. Jones who had brought Ms. Child’s book to the American public after the manuscript had been rejected by other publishers.

Based on Ms. Powell’s 2005 book, Julie & Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen , the screenplay by Nora Ephron plays up the parallels between the two women’s lives, even though they never met before Ms. Child, played by Meryl Streep, died in 2004. It is also clear in the film that Ms. Child, who had been informed about the younger woman’s blog at the height of its popularity in 2002, did not approve. She refused to have contact with her.

Asked why that was, Ms. Jones, who remained friends with Ms. Child throughout her life, produces a demure smile and offers a perfectly measured diplomatic response. “We looked at [the blog], and Julia said, ‘I don’t think she is very serious about cooking and I don’t want to have anything to do with it.’ It was partly the use of four-letter words to describe food. It was just offensive. In our generation, we don’t throw them around quite as easily. But I think if she had met Julie, and seen some of her personality …,” she says, trailing off, shrugging her shoulders a little.

Long before Ms. Jones discovered Julia Child, she had earned some fame for insisting that The Diary of Anne Frank be published in the United States. After the war, she was working for Doubleday in Paris. “I was just a girl Friday, answering the mail, and my boss one day went off to lunch, and said, ‘There’s a pile of manuscripts I’ve looked at. Would you get rid of them?’ One was a book in French, but it hadn’t been published. It was a bound galley, and I was drawn to it because of the face on the cover. It had a picture of Anne Frank. I started reading and I read all afternoon, and when my boss came back, I said, ‘We have to get this book to New York. This has to be published.’ And he said, ‘What? That book by that kid?’ A lot of editors had turned it down in New York.”

Almost a decade later, in the summer of 1959, she was back in New York when another overlooked publishing opportunity landed on her desk at Knopf. It was a huge manuscript from three unknown women: Julia Child, Simone Beck and Louisette Bertholle. The two French women, Ms. Beck and Ms. Bertholle, had met Ms. Child in Paris, where she was living with her diplomat husband, Paul. Smitten by French cooking, Ms. Child, who was born in California and educated at Smith College, soon became fluent enough in French to start Cordon Bleu courses. The two French women asked her to help them adapt the classic cuisine for the American housewife. Their exhaustive two-volume manuscript was rejected as too complex for the average housewife. But when Ms. Jones looked at it, and subsequently tried out the boeuf bourguignon recipe at home, she had a hunch that its timing was perfect.

“People were travelling more. Even a secretary could put away her pennies and go to Europe on an economy flight and have her first bistro dinner,” she says. “And [when the book was published] the Kennedys had a French chef in the White House.”

In her memoir about her life in publishing, The Tenth Muse: My Life in Food , Ms. Jones said she was “ boulversée ” upon reading what became Mastering the Art of French Cooking . “There was nothing like it,” she says now. “It was a unique book, and it changed the way that we think about cookbooks, which is that it isn’t so much about the recipes, it’s the techniques.”

The book ushered in fame for Ms. Child, a tall, mannish-looking woman whose playful personality belied her arch upper-class appearance. “As Julia would say, ‘I am quite a ham,’” Ms. Jones recalls. “She was totally spontaneous. When she would fish out a little herb bouquet, and it was all grey, and she’d toss it in the garbage, and say, ‘It looks like a dead mouse,’ that’s what she was thinking.”

That authenticity is far rarer in the foodie industry now, Ms. Jones says. “It’s gone the other way now. You have to be a celebrity. I find it offensive because I don’t think they are really teaching and enabling the home cook. So much of it is show-off cooking. I don’t think it’s a competition. To really understand cooking, well, it’s a very subtle art,” she says, folding her hands neatly on her lap.

She believes the movie’s depiction of Ms. Child’s passion and determination, mirrored by Ms. Powell’s, close to 50 years later will bring about a renewed appreciation for classic food preparation. “It may help to bring us back to our senses,” she says in her staunch New England accent. “And it shows a generation, who doesn’t really quite even know, who Julia Child was. It brings her very much to life.”

Ms. Jones parlays her love of the meticulous into many aspects of her life. She describes her regimen for staying fit and elegant in a nonsensical manner and seems bemused that anyone would find it extraordinary. She does yoga every night. When she is in Vermont, where she has a house, she swims in a pond, the length of a football field, twice a day. Her swimming prowess saved her life in 1997, the year after her husband, Evan, died. She was driving along a country road in the rain when a small stream suddenly turned into a torrent. She escaped by swimming. “I also do weights to fight osteoporosis,” she adds. And to keep her brain fit, she memorizes lines of poetry.

Widowhood is also manageable, she says, because she never lost her love for cooking, even for one. In September, her cookbook, The Pleasures of Cooking for One , will be published.

Preparation of dinner is a highlight of her day, she says. “It’s really one of the sacred things in life.”

She nods her head slightly, almost imperceptibly. It appears that the word sacred was exactly, precisely, what she meant.

The article can be found here

– Lu Galasso

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Lu Galasso on Bell vs. Rogers

If you live in Canada, especially Toronto, regardless of if you own and television set or not you’ve likely seen or heard about the “couch” campaigns featuring Bell and Rogers and now Telehop is launching their own (who is Telehop you ask? I have no idea either but apparently they think this will put them on the map). Anyways, for the most part these ads have confused people…why didn’t Bell come up with a rebuttle that was in their own style? Or why did Rogers start openly attacking Bell? As mentioned in the article I will post below, the idea of one big firm attacking another big firm is not a new concept. Think Mac vs PC, although some of my favourite ads, Apple just started outright attacking PC. Well one thing these ads did for sure was reestablish Bell and Rogers as the two biggest phone, internet and television providers in Canada, leaving the others in the dust.

Leslie Scrivener
Feature Writer
It’s time to take another look, says the ad. We did. And still we don’t know: Whose couch is this anyway?

Canada’s communications companies have embraced the same symbol in ads on television, in newspapers, on billboards and transit, and people are talking and blogging about it.

The couch is long, clean and modern. Part of it is red. That must be Rogers. Part is blue. That’s Bell, for sure.

But look – here’s another ad showing the couch with a red cushion, a blue cushion and an orange cushion, which must be, help me here … Telehop, a Toronto-based phone service provider.

Are consumers perplexed? Yes.

“Eventually people will ask, `Who is this for? Is it Rogers? Is it Bell? I’m confused,’” says Anthony Kalamut, chair of creative advertising at Seneca College at York University.

Advertising directors have rarely seen anything like this: Two business giants using an identical image – it’s called a mnemonic, a memory aid – to lure or retain customers while aggressively naming the competition. Seems a little unCanadian.

(Remember the boldness of another blue-red battle – the Pepsi Challenge, when PepsiCo asked people to compare the taste of Pepsi to its rival Coke?)

“I have never seen Canadian companies go that hard directly at each other,” says Paul Haft, a Toronto expert in colour and branding.

The battle waged on a common couch started June 1, when Rogers launched an ad campaign with a two-seater, half red, half blue, saying its home phone service was a better buy – $25 less – than Bell’s.

Bell reacted quickly and launched the couch ad by June 16, this time with five blue cushions and one red, its way of expanding the conversation. The ad notes that Bell has more TV channels and is $25 less expensive than Rogers. Bell also went after Rogers’ wireless service, comparing a Rogers cellphone to a Bell cellphone.

Bell saw the Rogers ad as a direct challenge. Rogers had stepped into the living room and named names.

“It’s not normally our policy to name our competitors in our ads, but we felt our name and products had been used in a misleading way,” says Rick Seifeddine, Bell’s senior vice-president, brand. “We took it on with gusto.”

But was it wise to use an image – the couch – already claimed by its rival?

“It had been established in the marketplace as a metaphor for comparing services,” says David Moore, president and CEO of Leo Burnett Canada, the agency that created the ad for Bell. “There might be an opportunity to reframe it, a way for customers to take a second look.”

There is, he agrees, the “potential for confusion.”

“But more than anything, people are pretty surprised that this is Bell. There’s a new culture that’s nimble and able to up the competitive game in the marketplace.”

Some in the ad business think Bell erred in using the couch.

“When you do parody advertising you have to do it so well people laugh their heads off … or you don’t do it at all. You have to do it in a gutsy manner,” says Geoff Roche, chief creative officer for Lowe Roche.

“It looks a lot like Telus (ads) – it has a lot of white space,” says Haft. “This is a `me, too.’ Instead of something unique and memorable that sets them apart, they are following the lead Rogers started.”

Others think it works.

“The best way to tell the story is borrowing the same imagery,” says Andrew Simon, creative director at DDB. Muddying the water – what’s this ad about? – may be to Bell’s advantage, he adds.

Recently, there have been witty responses to rivals’ competitive ads. Apple placed itself as the cool computer in contrast to the stodgy personal computer (PC) in television ads. Microsoft, unwilling to be portrayed as the goofy guy in a bad suit, responded with famous (Bill Gates and Eva Longoria) and less-known people confidently proclaiming, “I’m a PC.”

That style of creative advertising takes the intellectual high ground, says Anthony Wolch, executive creative director at TBWA Toronto. “Why can’t Rogers and Bell go there?” he asks. Bell should focus on its progressive technologies, he says. “What makes them special and loved by Canadians.”

As for the furniture theme, “using couches or chairs as a mnemonic is about as tired as you can get.”

Rogers views the ads as “tremendously successful” and says 150,000 visitors have taken the company’s online home phone challenge comparing services.

The idea of the couch in a phone ad “is a symbol of family and connection,” says Tracey Tobin, business director at the Publicis agency, which created the Rogers ad. Rogers doesn’t plan a sortie against the latest Bell ads.

Both Rogers and Bell have filed complaints about each other over various ads to Advertising Standards Canada.

Which leaves us with upstart Telehop, the phone service that’s taken a seat on the telecom couch. They added an orange section in their ads, reflecting the company colour. “We figured it was fair game,” says Hersh Spiegelman, Telehop president and CEO. “Here’s an opportunity for us to tell people in a way that bounces off the Bell ad or the Rogers ad. We thought, `Phooey on them. Look at us. We are cheaper. Check us out.’

“We found it’s been extremely effective.”

Still, Spiegelman is surprised about the brassy way Rogers went after Bell. “Had Ted Rogers been alive, I don’t think Rogers would have done this.”

Canada’s other major communications server, Telus Corp. hasn’t joined in, but leads one to think of possibilities – their mascot, a meerkat, peeking behind a sectional with a green cushion perhaps?

article courtesy of thestar.ca

– Lu Galasso

Lu Galasso on Showtime and HBO

Okay, so I will admit that this wasn’t an original idea. I was reading www.torontoist.com and they/he/she wrote a post about television shows. That got me thinking about the shows I like to watch and I realized that the majority of the TV shows I like are on HBO and Showtime. So I thought I would share with you some of these shows and provide a description of each of them.

HBO:

Big Love

The story of Bill Henrickson (Bill Paxton), a polygamist who lives in suburban Salt Lake City with his three wives (Jeanne Tripplehorn, Chloë Sevigny and Ginnifer Goodwin) and now-eight children. As the new season opens, Bill, who last season bought a gaming-machine business to supplement his Home Plus superstores, is looking to diversify even further in the face of a flat do-it-yourself market and a crackdown on polygamists around the country (a trend echoed in real life with several headline-making polygamist busts this year).

As we have learned, balancing his professional and personal lives can be tough on Bill, and this season it only gets more frazzling. Over the course of Season Three, Bill will try to convince a native-American tribe to partner on a Mormon-friendly casino; woo a fourth-wife prospect (could it be Ana?) through unorthodox group-dating rituals; face unexpected repercussions from the imprisonment of “prophet” Roman Grant and the ascension of his scheming son Alby; deal with escalating hostilities involving mother Lois, father Frank, brother Joey and sister-in-law Wanda; and navigate crises involving his children Sarah, Ben and Tancy. And that’s just the tip of the Henrickson iceberg in what shapes up to be the most scandalous, entertaining season of Big Love ever.

Eastbound and Down

HBO premieres a new half-hour series about an arrogant, burned-out, former major-league pitcher named Kenny Powers (Danny McBride), who is forced to return home to North Carolina to teach Phys Ed at the middle school he once attended. While wreaking havoc at school with his boorish behavior, Kenny crashes at the home of his brother Dustin (John Hawkes); plots a triumphant return to the big leagues; and makes a pre-emptive romantic strike on former high-school squeeze April Buchanon (Katy Mixon), now a teacher engaged to principal Terrence Cutler (Andrew Daly). The series is executive produced by Will Ferrell (guest staring in two episodes), Adam McKay, Chris Henchy, Jody Hill, Danny McBride and Ben Best.

Entourage

Entourage takes a none-too-serious look at the day-to-day life of Vince Chase (Adrian Grenier), an incandescent young Hollywood actor, and the three buddies he’s brought from their hometown in Queens, NY: manager Eric (Kevin Connolly), half-brother/actor Drama (Kevin Dillon), and party pal Turtle (Jerry Ferrara). Also starring Golden Globe and three-time Emmy-winner Jeremy Piven as Ari, Vince’s frenetic agent, Entourage draws on the experiences of industry insiders to illustrate the excesses of today’s celebrity lifestyle, as well as the difficulty of maintaining relationships and artistic fulfillment in the show-biz fast track.

This season, after weathering a series of professional storms, Vince has bounced back after the opening of Gatsby, his new film directed by Martin Scorsese. Meanwhile, the guys each take steps to develop their own careers, and Ari looks to build up his agency with the help of a new partner, Andrew Klein (Gary Cole).

Entourage airs Sunday nights at 10:30pm

Flight of the Conchords

HBO presents the Season Two premiere of the “delightfully quirky” (Boston Herald) musical-comedy series co-conceived (with James Bobin) and performed by Jemaine Clement and Bret McKenzie, the folk-comedy duo from New Zealand whose live stage shows and CDs as Flight of the Conchords have won them a worldwide cult following, a 2005 One Night Stand on HBO, and a 2007 Grammy for Best Comedy Album.

Over the course of ten new episodes this season, Bret and Jemaine (playing fictionalized versions of themselves) find their sophomore year living in the East Village at least as challenging as the first, and resort to a variety of desperate tactics to jump-start their lives and career. These include: turning to prostitution as a way to pay bills; starting up a gang; impersonating Simon & Garfunkel in a look-alike contest; falling for the same girl (what else is new?); even dating an Australian (a taboo in New Zealand). As usual, the duo’s misguided efforts to find romance or land a gig rarely yield dividends, but they do spawn all-new Conchord tunes about life, love, and the pursuit of an elusive music video.

Hung

Years ago in high school, Ray Drecker (Thomas Jane) was athletic, popular, and destined for success. Now, as a high-school teacher and basketball coach, he’s underpaid, uninsured, and embittered that his wife of 20 years (Anne Heche) has left him for her dermatologist. After a fire damages the rundown Detroit home he inherited from his parents, Ray’s fortunes reach an all-time low when his twin children, who had been living with him, move in with their mom and her clean-freak hubby. Lonely, run-down and at wit’s end, Ray attends a local self-help class whose mantra is to identify a personal “winning tool” to market for financial success. After a not-so-fulfilling encounter with a fellow attendee – an ex-flame and would-be poet named Tanya (Jane Adams) – Ray has a “eureka” moment. With the help of Tanya, Ray resolves to take advantage of his greatest asset, in hopes of changing his fortunes in a big way.

Hung airs Sunday nights at 10pm

In Treatment

HBO presents Season Two of In Treatment, the critically acclaimed half-hour drama series starring Gabriel Byrne (who won a Golden Globe in January for his role), and adapted from the popular Israeli series created by Hagai Levi (one of HBO’s executive producers, along with Stephen Levinson, Mark Wahlberg, Warren Leight, Paris Barclay and Rodrigo Garcia). Set within the highly charged confines of individual psychotherapy sessions, the series once again centers around Dr. Paul Weston (Byrne), who recently divorced his wife Kate, and has moved from Maryland to a brownstone in Brooklyn, New York (where this season is shot). Rebuilding his practice while wrestling with some of the demons he left behind — including a lawsuit filed by the father of Alex, a patient who died last year — Paul takes on several new patients, including the four seen in individual episodes each week. He also commutes to Maryland every Friday to continue his own sessions with Dr. Gina Toll (Emmy®/Oscar® winner Dianne Wiest).

Summer Heights High

HBO premieres a scripted comedy series written and starring Australian comedian/actor Chris Lilley, who masterfully portrays all three lead characters, each on their own journey at one “average” public high school. Over eight half-hour episodes, the series documents the public-school experience through the eyes of two students and one teacher. There’s “Jonah,” a charmingly unruly middle schooler; “Mr. G,” a delusional drama teacher; and “Ja’mie,” a conniving private-school exchange student obsessed with maintaining her “queen bee” status. Outrageous, politically incorrect and laugh-out-loud funny, Summer Heights High chronicles a world that we’ve all been a part of, one that’s full of characters that will make us cringe with recognition.

True Blood

Thanks to a Japanese scientist’s invention of synthetic blood, vampires have progressed from legendary monsters to fellow citizens overnight. And while humans have been safely removed from the menu, many remain apprehensive about these creatures “coming out of the coffin.” Religious leaders and government officials around the world have chosen their sides, but in the small Louisiana town of Bon Temps, the jury is still out.

Local waitress Sookie Stackhouse (Anna Paquin), however, knows how it feels to be an outcast. “Cursed” with the ability to listen in on people’s thoughts, she’s also open-minded about the integration of vampires — particularly when it comes to Bill Compton (Stephen Moyer), a handsome 173-year-old living up the road. But at the service of Bill’s less virtuous vampire associates, Sookie is drawn into a series of catastrophes that will put their love to the test.

The latest hit series from ‘Six Feet Under’ creator Alan Ball, ‘True Blood’ delves into the meticulously-crafted world of novelist Charlaine Harris. Described by the Emmy®-winning Ball as “popcorn for smart people,” the first season of ‘True Blood’ caused an overnight sensation – and the new installments only build on his colorful cast of supernatural misfits.

True Blood airs Sunday nights at 9pm.

Showtime:

Californication

Californication is a Showtime TV series production created by Tom Kapinos, starring David Duchovny as Hank Moody, a troubled novelist whose move to California and his writer’s block complicate the relationships with his ex-girlfriend Karen (Natascha McElhone) and daughter Becca (Madeleine Martin).

Dexter

He’s smart, good looking, and he’s got a great sense of humor. Michael C. Hall stars as Dexter, everyone’s favorite serial killer. Miami forensics expert by day and murderer by night, this serial-killer killer is making the world a better place – one homicide at a time.

The Tudors

Jonathan Rhys Meyers is King Henry VIII as never seen before. With a lust for power and an appetite for love, the stunning young monarch ruled his kingdom as he lived his life – with ruthless abandon. This epic series reveals the untold story of the beloved tyrant whose reign was marked by treachery, betrayal and intrigue.

United States of Tara

One woman. Multiple personalities. From executive producer Steven Spielberg comes the new Showtime Original Series UNITED STATES OF TARA, starring Toni Collette. Between juggling family, career and her ever- altering personalities, Tara Gregson never knows what – or who – to expect next.

Weeds

Emmy® and Golden Globe® winner Mary-Louise Parker stars as the single mom who resorts to dealing pot after her husband dies suddenly . But when an off-beat way to make ends meet grows into a mini-empire, the mother of all dealers finds she may be in over her

head – an

d on the verge of taking everyone else with her.

Well that’s all I’ve got for you today. Let me know any other shows that you think are worth while and I’ll have to check them out!

– Lu Galasso

Lu Galasso on Facebook

Facebook, something we all know and likely have a love/hate relationship with. It’s a place where you can add friends, acquaintances and try and “creep” information on people you may not even know. It’s a phenomenon that people all over the world are indulging in. Facebook was created and founded by Mark Zuckerberg and his roommates at Harvard in order to connect its students. It was then expanded to include colleges and universities in the Boston area, and today as long as you’re over the age of 13 you can become a “member”.

Recently, Facebook has been receiving a lot of media attention, and it’s not positive press. The Office of the Privacy Commissioner of Canada has recently been investigating Facebook’s privacy laws in terms of its relationship with third parties like their advertisers and the individuals who create “Facebook Apps”. They are concerned that there is no “opt out” of sharing personal information with these individuals and they are concerned with what this information is being used for it and how long it is being kept on file.

As anyone could tell you Facebook is just a wealth of data. It has millions of users from all over the world and not only does Facebook collect your name and your email address but on top of that, people enter everything from their age, their relationship status, their sex, their siblings, where they live, what school they go to, what their interests are, etc. It should be no surprise that in the world we live in, people will do anything for a buck and so Facebook is able to sell their site to advertisers on the guarantee that they can directly pinpoint their target market. Have you ever noticed (if you’re female) you constantly have ads for wedding rings and weight loss? Now change your “sex” to male and instead you are going to receive ads promoting ways to improve your muscles etc.

Facebook has been called out in the past for their privacy policy and so they are constantly updating it. What Facebook doesn’t tell you when you sign up is how to change your privacy settings and how to say no to the sharing of your information. They make it so difficult for you to find and figure out that most people just forget about it and don’t bother. Although the thought of my information being shared is a scary thought, I’ve just edited my profile to the things I don’t mind being shared. I mean the thought that even if I delete a picture off of facebook that the link still exists and that facebook still has it on file (everything you put on facebook becomes facebooks property), even if i can’t see it, scares the crap out of me, it comforts me to know that at least i’m aware of that when i upload the pictures.

My advice then, instead of just clicking that you agree with the terms and conditions on any social networking website, or just any website for that matter, make sure you READ what it is you are agreeing too. Be careful what you do and say on the internet and stay informed. The internet can be a scary place, and I don’t just mean old men acting like young girls or pedophiles lurking, I mean the web bugs that can be placed into emails so when you open it someone can know the time and place you opened it, how many people you sent it too, etc. I don’t by any means say stop using Facebook, I know I’m not going too, but stay on top of the news, read their privacy policy, do whatever you can to ensure your own privacy and safety.

To opt out of sharing your information follow these simple steps (keep in mind it may not block all of your info) scroll to the bottom of facebook on any page > click on privacy > READ what it says > select the button that says “Click here to go to your privacy settings” > click on applications > READ what is it that facebook is sharing and what the applications are doing > click on settings (beside where it says overview) > edit away. > hit save changes and you are done.

Here is an article I found on marketingmag.ca on the subject. If you use Facebook it affects YOU. So read up on it. http://www.marketingmag.ca/english/news/media/article.jsp?content=20090716_145113_1552

– Lu Galasso

Lu Galasso on Hp

Lu Galasso here,

Well keeping with the theme of pop culture, I obviously have to talk about one of the biggest and most anticipated pop culture phenomenons – Harry Potter. The moment we’ve all been waiting for has arrived and Harry Potter and The Half-Blooded Prince is being released this week. It was originally set to be released sometime last year but complications arose and it got pushed. For those of you who are like myself and are avid Harry Potter fans, this book is where the story starts to turn. What once started out as a light hearted book about a boy becoming a wizard, having adventures and making new friends, has turned into a dark, twisty and mysterious plot. Harry Potter is no longer a boy, he is becoming a man. This film deals with relationships, death and more. It is no longer a story aimed at children, or at least in my opinion anyways. I started reading Harry Potter as a kid, when it was first released and kept up right until the end. Although the films are unable to fully capture everything that J.K Rowling writes in her books, I would have to say they do a pretty damn good job for what they have to work with.

In this book, as well as in the final novel, there were parts that even as a twenty year old, terrified me. In this final books I laughed, I cringed, I was nervous and I even cried. Why did Rowling make them so dark? Perhaps it was because she was aware that as she was writing these novels, the majority of her fan base was growing up with them. The first film came out in 2001 – making me about 13. The books came out even before that. I’m 21 now and the final book was released two summers ago. Meaning that Harry Potter and friends have grown up with me.

Rowling, as well as the film producers were smart, in that I believe they foresaw the popularity of twilight. Although, like Harry Potter, Twilight is popular across all age groups, its essentially the new Harry Potter, and its younger fan base will be more familiar with Twilight than our friend HP. Therefore, if Rowling had made her most recent books fairly childish, than she would likely loose some of her most loyal fans, the now older generation, leaving the new youngsters, who have likely not read her first novels, to have their own series.

Anyways, enough talk from me. I found a great article on the thestar.com that talks about the upcoming HP release. I have copy and pasted it below.

Hormones race, but the magic mainly idles in Harry Potter and the Half-Blood Prince, a stage-setting film in which boyish fascinations give way to manly concerns.

The sixth Harry Potter movie and the last to exactly track J.K. Rowling’s book series (the seventh and final novel will be split into two films) is at once more realistic and less wondrous.

Gone are many of the whimsical fantasy elements that have made the series such a delight. The boys and girls have grown into young men and women, leading to serious romantic entanglements and attendant jealousies.

There is still magic, but it all has dramatic purpose – and much of it points to the final two films, in which youthful wizard Harry (Daniel Radcliffe) and his nemesis Voldemort, the Dark Lord, will engage in decisive battle.

Emboldened by his impending return, Voldemort’s airborne henchthingies, the Death Eaters, have stepped up their attacks, including muggles (humans) amongst their prey. An early scene resembling a terrorist attack sees pedestrians on London’s Millennium Bridge sprinting for safety as the Death Eaters ravage the structure.

Not even such heavenly preserves as Diagon Alley and Hogwarts School of Witchcraft and Wizardry are safe from Voldemort’s minions, who now include a fully engaged Draco Malfoy (Tom Felton), who considers himself the Dark Lord’s opposite to Harry’s status as the “Chosen One” among wizards.

The annual train journey to Hogwarts, in which Harry and pals Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson) head for the start of their sixth year, takes a violent turn as well-meaning subterfuge leads to a brutal beating. The students arrive at Hogwarts to discover they must now pass through a metal detector, since repeated Death Eater attacks against the school have forced the need for greater security.

Storm clouds real and metaphorical hover over the proceedings, which returning director David Yates and screenwriter Steve Kloves have fashioned as more of a mystery than previous instalments, and with many more plot threads.

The picture begins as an adult detective story, as Hogwarts patriarch Dumbledore (Michael Gambon) whisks Harry from a sexy muggle encounter (what a trip that would have been!) back into the fantasy realm to investigate what appears to be a savage Death Eater attack.

“Wands out, Harry!” Dumbledore warns. But it’s a set-up to meet an important new character in the franchise: Horace Slughorn (Jim Broadbent, perfectly cast), a former professor of potions at Hogwarts who taught Tom Riddle (played by Hero Fiennes-Tiffen and Frank Dillane at different ages), the troubled student who became Lord Voldemort.

Dumbledore convinces Slughorn to return to Hogwarts, hoping that Harry – whom Slughorn is star-struck by – can cajole or con him into giving up important information about Riddle that could lead to Voldermort’s undoing.

Harry is now Dumbledore’s adult sidekick rather than his boyish protégé, an important development in the saga. But it’s frustrating to see Radcliffe still playing more boy than man when the time comes for Harry to whip out his wand. You’d think that five years of training would have made him less of a fumbler.

There are many more developments in the tale, including further elucidation into the puzzling motives of Severus Snape (Alan Rickman), now promoted to teacher of defence against the dark arts. He’s obviously being primed for greater revelations to come, as is Voldemort’s female consort Bellatrix Lestrange (Helena Bonham Carter), whose violent urges take a fiery turn this time.

Also firming up are relations between Ron and his secret admirer, Hermione, amusingly complicated by male and female interlopers, and between Harry and his own covert devotee, Ginny Weasley (Bonnie Wright). Could one of Slughorn’s concoctions be Love Potion No. 9?

Yates and Kloves have done a commendable job of distilling the essence of Rowling’s mammoth text and maintaining control over plot complications (including the identity of the titular Half-Blood Prince) that could befuddle anyone not fully versed in Potter lore.

Quality remains high in every regard and the cast is almost entirely intact, rare feats for a franchise this far into its run.

Rowling and her dutiful film deputies have kept pace with their core audience, most of whom are now into their late teens and 20s, and who are facing some of the same life issues as Harry and his career, albeit more of the earthbound variety. The same Potterphiles who went with their parents to see the film series’ debut in 2001 are now old enough to attend tonight’s midnight screenings on their own or with their pals.

Yet despite the many pluses of The Half-Blood Prince, it’s unlikely to become a series favourite for many people, at least in the celluloid format. Harry’s development as a wizard and as a hero remains gallingly slow – he often gapes rather than reacts – and the story’s one major development is bizarrely treated almost as an after-thought.

Think of the film as a stepping-stone to greater drama to come, much like The Two Towers in The Lord of the Rings trilogy, and heed Slughorn’s words of caution: “These are mad times we live in, mad!”

– Lu Galasso

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Lu Galasso Gets Herself in Gear

So as I'm sitting here, I'm thinking of interesting things to talk to you guys about. To get people engaged. And I think I've finally got it. I am going to talk about POP CULTURE. we all love pop culture, whether we realize it or not. Pop culture is something we all indulge in. Whether it be that new episode of the hills or the new Jonas Brother's cd that has just been released. It is everything from music, to television, to movie stars, to books. I got this idea because I recently finished the book written by Chuck Klosterman entitled Sex, Drugs and Coco Puffs: A Low Culture Manifesto. It is essentially a variety of essays he has written on popular culture. I highly recommend it. If there is a certain book or film or television show or song you would like me to discuss PLEASE, i encourage you to comment and/or add me on facebook (lu galasso) or twitter (lu_galasso).
I am going to sign off for now but when I get a good tid bit of information I am going to come back and update you guys.

xo
gossip girl.

just kidding.

-- Lu Galasso